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(HANOVER, N.H.) — I knew I liked this guy the moment I walked into the tiny convenience store. It was 2 a.m. near downtown Portland, and he was my bearish, meaty clerk.
“How the hell are ya?” he bellowed, with a smile. “Welcome to 7-11.”
That was the entirety of our interaction, but I’m still thinking about it several days later. Maybe I was just tired, but I found his scrappy friendliness charming. It’s exactly the kind of thing I was looking for when I decided to come to Maine. Ever since I was 10, I have wanted to be a member of the Mainers’ club.
Ahem, Maine-ahs.
I should explain that when I was little, I traveled around the US with my family for two years in an old, remodeled school bus. We spent a few months in New England, but I don’t remember many specifics. Doing some witch tourism in Salem, Mass. stands out, as does winning second or third place in a running race in Providence, R.I. But Maine, circa 1993, comes back to me clearly. I remember signs for “one claw lobsters” in Camden and running my first race ever, a 10-K, in Kingston. The leaves were becoming more colorful the longer we stayed in the state, and the air had an increasing bite. In Waterville, I remember trick-or-treating with my brother and riding around town on my roller blades. That’s how long ago I was in the Maine.
Yet it has stayed with me. When you come from a place like California, where many of the buildings and streets are so new, and your town doesn’t have a real sense of history or deeply rooted community about it, Maine is fascinating. What I loved 16 years ago, and what I was looking for again, was a homey sense of place. I wanted to walk through a seaside town at dusk and see the wooden, Edward Hopper houses lit up, with smoke wafting from their chimneys. I wanted to stand by a cold, clean ocean as brisk wind whipped around me. I like the idea of Maine’s indoor culture in the fall and winter, when dark afternoons make room for things like knitting, baking and playing cribbage. My idealized vision of Maine came from my memories of it, I think, mixed recollections of seeing the movie In the Bedroom and living in the seaside town of Mendocino, Calif. when I was young.
As I headed toward the state two weeks ago, I guess my expectations were set high, though I didn’t feel that way. I was simply excited, driving through Québec’s country hills in the dark. The stars and moon were bright that night, and the knowledge that I would be seeing Maine soon carried me through yet another embarrassing border crossing. The young, energetic guy who searched my trailer was friendly and officious, but I couldn’t help but sense that something about what he found in my home disappointed him. After doing a five-minute look-see, his flirtatious vibe disappeared, and he carefully checked the outside of my trailer for secret compartments. By the time he waved me through, I felt the same, sinking shame I had coming into Canada. I’m a pretty messy and disorganized person, and whenever anyone looks through my stuff, it’s as though he/she is poking my foibles with a stick.
But no matter. Maine was ahead. That kept me going, even as I started to run out of gas and the radio signal from the CBC sadly disappeared. Maine, Maine.
It was almost midnight when I pulled into an office building’s parking lot near Portland and went to sleep. The next morning, as employees’ cars started to fill in the spots around me, I decided it was time to leave. I met up with my hosts — Mark and Barbara, my friend, Tory’s, parents. From the very beginning, they were friendly and giving, and I felt strangely comfortable, even though I had only met them once before.
I spent the next few days helping them scrub down an old, Victorian house they were refurbishing. This wasn’t the quaint, desolate Maine for which I had been yearning, but I stepped into it happily, with gratitude.
For a little while, I had a new life. I had a job, suburban surroundings and a few, quickly made friends. In the day, I was cleaning walls and windows and floors, and at night I was interacting with Barbara or the tiny, white-haired twin ladies who allowed me to park on their property. One night I particularly liked I spent watching “Project Runway” with Barbara and talking about her life and mine. I can’t explain how comforting that felt. Once again, I sensed that I probably wouldn’t be moving on because I wanted to but because I knew I must.
I think traveling is like acting Shakespeare. On stage, if you are resolute in your character and your motivation, people will understand your words. If you don’t really understand them yourself, how can anyone else? While I was in Portland, people understood what I was doing on my trip for the most part, because I had brief and clear moments where I seemed to as well. There was that one instance where someone suggested I get a lucrative job, like a police detective, instead of doing this writing thing — but there’s always an outlier, I guess.
 DJ Roy, who let me cohost his show, "Liberation by Sound" on WMPG. Great guy.
On my first day in Portland, I went on-air at the city’s local community radio station, WMPG, with a DJ named Roy. The young dad and former special ed teacher was enthusiastic and political, and his energy rubbed off on me. We had some good, on-air conversation, but the real beauty of our interaction was when he invited me over for dinner, and I met his baby son and wife. I remember thinking then that this is what I really want my trip to be. Meeting people who are both friendly and passionate about their lives will never get old for me. As I sat in his house, eating my chicken and rice, I really did feel honored to be there. I don’t know what I want for my future, but the more people I meet who welcome me into their world whole-heartedly, the closer I feel I’m getting.
 DJ Miles, Roy's 10-month-old.
A few nights later, I took this energy (and my newly made cash) out on the town, and to my happy shock, got a similar hit of excitement from strangers. The Chocolate Bar, a dessert/liquor house in the Old Port, was perfect, not just because of my chocolate caked topped with toffee butter cream and sea salt sprinkles. It was because the 40-something politico and history buff who introduced me to his friends and the Siberian guy who was affable and happy to tell me about his move to the States. With his encouragement, I did my best to down a cup of absinthe, though it was a long, rough road.
Toward the end of the night, I met Rachel, a thirtyish mom of two who was drinking martinis with her boyfriend. When her guy got into a political argument with a couple college boys with their collars flipped up, Rachel and I escaped into one of those intimate and perfect interactions that are only possible between complete strangers. I told her about my trip and about how I didn’t really know what I was doing on it, and she somehow spelled some of it out for me. She was quite vital, telling me that I was doing all this at exactly the right time, and that she wanted to travel more, experience more. I don’t know if she was trying to help me take full advantage of my journey, but that felt like the end result to me.
“Maybe the point is to describe those moments that other people don’t have time to see,” she said. Or at least that’s what I remember. All I know for sure is that by the end of our interaction, I was excited to hit the road again.
 Deer Isle, early in the morning. This is a taste of what you'll read about/see in the second part of my Maine story (I realize, as I write that, that it might sound kind of grand in an irritating way, but I hope not).
In two days, with that support at my back, I left for a trip up Maine’s coastal road, Highway 1. I didn’t feel like an adopted Mainer quite yet, but I had this quaint idea that I just might once I got out into the cold, ocean-side sticks. Perhaps, I thought, I was doing research about where I might move in the future.
That notion makes me smile now, a week later. While I sometimes get frustrated at my naïvité, to live without it would be far too boring.
Before I write anything else, I must write this: Thank you, Chuck. If it weren’t for you, I never would have got my trailer parked. I am completely in your debt. I wish I had gotten your e-mail address, but hopefully you’ll read this. I hope you and your son, Jonathan, weren’t too late to your Cub Scout meeting.
Here is a sampling of the photos I took while in Québec. Many of the first pictures are from the Chants de Vielles festival, a three-day gathering that celebrated old-time music and storytelling. It then segues into Québec City images. On the bottom, there is a mix of extra thumbnail pictures. All of these photos you can enlarge with a click.
In Québec, my only regret photographically is that I never got a picture of those huge, plastic animals that sat on top of various businesses in the countryside. Seriously, I saw a giant horse atop a stable and a dog perched above a kennel. Inexplicably, a restaurant boasted a dinosaur. Oh well.
 Diane Marie and Françoise, two Québec woman who made my stay in the province amazing. Along with a third friend, they do storytelling performances together and have even put out a book of one of their stories. Thank you, Françoise, for letting me park at your home.
 What soy beans look like up close, Québec.
 Dad teaching daughter how to play the saw, Chants de Vielles festival.
 It occurred to me, while watching this woman play the saw for the first time, that learning something is a very solitary and personal thing. (Chants de Vielles festival)
 Parading through the streets of tiny Calixa-Lavallée at the close of the Chants de Vielles festival.
 Jamming at the Chants de Vielles festival.
 One of the most famous vielle players in the world, Gilles Chabenat. What is a vielle, you ask? Well, it's hard to say exactly, but it sounds like a mixture of an organ, violin, accordion and kazoo, if that makes any sense at all. Chants de Vielles festival.
 The organizer of the Chants de Vielles festival and his son, greeting people as they arrived for the last concert.
 A look-see, Québec City.
 Busking in Québec City.
 A visiting Dutch couple's pup, Québec City.
 Spider building a web, Québec City.
                  
(PORTLAND, Maine) — Thank you, Sam Roberts.
That’s the most honest lead sentence I can conjure, and I don’t believe, even with time to reflect, that I will come up with one much better. I’m currently in quaint, seaside Portland, Maine, and I saw the Sam Roberts Band live at the Port City Music Hall soon after I arrived here. That was four days ago now, and I’m still stunned.
Roberts is a fellow out of Montréal (strange, how I have left Canada but perhaps not fully), who does rock with a strong beat and indie undertones. Unlike the beautifully sad, cerebral music for which I often go, Roberts is straightforward, with rifting guitars and pounding drums that pull you right out of your head. His stuff isn’t introverted nor delectably dorky, and perhaps that is what had kept me away since I was introduced to him about a year ago. Tuesday night, however, as I listened to his full set, I was into it. I was dancing, even, which I hardly ever do. It was a treat.
Watching someone make music, even rocking stuff, is incredibly intimate. I had forgotten this. How often do you get free reign to simply stare at a man for an hour as his sweaty, gyrating body disappears into a kind of trance? Roberts and his band looked like they went to another world. They were jumping around and pounding their feet into the stage. Roberts would often close his eyes while he tilted his head and poured himself into the mic. Sometimes his voice had so much power behind it that the hipsters around me hollered and raised their hands in reverence. There was nothing theoretical nor witty nor philosophical about what we listeners were feeling. It was just real, and I was ecstatic to have landed there.
Being in an audience is a rarity for me, but I know that doesn’t have to be the case. Everywhere, people can’t help but perform. Part of my trip, I’m starting to see, is making the effort to see them. When someone is truly transported on stage, I am as well. Once you get a whiff of that good stuff, you only want more.
While I’d love to attribute this realization purely to seeing Mr. Roberts, I know that’s not the case. These feelings really began to crystallize about two weeks ago, in Québec — thanks to another dynamic guy who treated the stage underneath him like he owned the thing.
 Jean-Marc Massie, beating his saw.
The Québecker in question is Jean-Marc Massie, a professional storyteller whose aura of creativity (and pheromones) is so thick that it’s almost surprising you can’t see it. Along with fellow storytellers Simon Gauthier and Marc St. Pierre, he was the opening act at Chants de Vielles, an annual folk festival in the Québec countryside that celebrates all kinds of performers. Before he got on the stage, I was skeptical about how much I would care about what he had to say. The prospect of spending a few hours hearing a story told in a language other than my own sounded exhausting.
And it was, but in the best way.
As soon as he and his posse strutted onto the stage, it was as though they had grabbed me by the shoulders and shook me. My wandering mind shut up, and my attention was on them completely. Massie was at the front of the stage, the other men at the back. As Massie began to talk and whip his body around, his two companions backed him up with the sounds of a keyboard and musical saws. I had little idea what Massie was saying (something about a person with gold growing out if his head, maybe?), but it didn’t matter. His body language did. He ran from one end of the platform to the other. He crouched down low and pretended to whisper and then jumped up quickly and began to shout. Behind him, there was a full stock of unconventional iron instruments, and he kept grabbing them throughout the performance. He underscored important moments of his story by hitting the stage with heavy chains. Behind him, there were about a dozen tire irons hanging from the ceiling, which he hit occasionally with another iron. The effect was like listening to the clang of demonic wind chimes. He beat bongo drums as if he was angry with them. By the time he jumped into the audience and played a bugle-like thing in my face, I was amazed.
It’s so rare to see that much passion in front of you, and I found myself wanting to bottle it up and save it for later, for use when I need some motivation. I think we spend so much of our day hiding our emotion, keeping an even keel for the sake of momentum. To see someone completely letting himself go was such a release. As I watched him, I realized how desperately I want to be that emotive and unselfconscious. The idea of being able to put yourself out there so fully took the wind out of me.
 Simon Gauthier, taking a different approach with his saw.
After Massie’s performance, we talked a little bit, and I told him how much I appreciated his work. He looked flattered, and I think for a while we did vibe off each other, talking about the few things our shared, limited vocabulary allowed. I wasn’t, however, able to fully convey what had touched me about his show. It made me feel powerless to feel something so strongly and yet not be able to convey it. Perhaps he got my meaning through osmosis. I’d like to believe that. The next day of the festival, we talked again, and he kissed the top of my head as a way of saying goodbye. Is that a Québec thing? I don’t know.
My lack of eloquence with Massie is probably partially why I walked up to Roberts after his show. It was a relief to be able to fully explain to someone how much his music and energy had affected me. It felt so good to be woken up, and I had this need to tell him so. Thankfully, he seemed happy to hear it. He was smiling, his eyes still shining from the show’s juice. We talked for a few minutes about his tour and my trip, and he invited me to see his show in New York. He gave me travel advice, and I gave him the address for my blog. I walked away from him and the music hall feeling effervescent and hopeful. On the way back to my trailer, I didn’t even get lost, which for me is like a tiny miracle.
Sitting, stunned, in my little home, I remember my interior monologue being incredibly simple, as it often is after good things. “Wow” I kept thinking, and “Thank you.”
(VERCHERES, Québec) — I like today’s morning chilliness and blowing rain along the small-town banks of the St. Lawrence River. On an unrelated note, I’m scared.
 My amazing host, Françoise, watching ships as they power by her home on the St. Lawrence River.
I’m actually surprised how long it took to get here, to the frightened place. Months ago, I even romanticized the idea, as though my fear would signify that I was truly on my trip. In actuality, it’s just scary. A small but noisy part of me is afraid that I’m going to run out of money and motivation and emotional support. I’m afraid of exiting the cushy womb that has been Canada. I’m afraid that even telling you these things makes me sound less interesting.
But it is what’s real right now. Perhaps it is just the need to move on that’s making me feel so uneasy. Don’t get too comfortable, my fear is saying. Believe me, I’m listening.
It almost always takes something drastic to get me out of a lovely place. And rural Québec really has been a treat — far beyond the fatty pleasures of poutine, even. When I drive or ride my bike around, I feel as though I’m looking at the farmlands of France. I’m in a small town, only 30 minutes from Montréal, yet I’m in an alternate reality of tiny roads, cows and miles (excuse me, kilometers) of golden soy crops. Some of the houses here, made of stones or logs, are older than my country. Most residents speak a little English, but almost everyone I’ve met who is a few years out of school is pretty rusty. It’s great. Not only does that give me a chance to practice my pidgin French but it makes me feel as though I’m in a place much more foreign than Canada. No one even says “eh” around these parts. Amazing.
I have gone into Montréal, but only once, and my experience served as a gentle reminder that maybe I really am a small town person at heart. I liked being surrounded by solemn buildings and crowded streets, all with a lightly European feel, but it took me the entire day to act like myself. I have a love/hate relationship with cities. I appreciate their rapid pulse and dynamic intensity, but they do intimidate me. I think I look like a fake in them and that people can tell, just by looking at my mismatched clothes and make-up free face that I don’t belong. If that doesn’t do it, my driving certainly will. Trying to find a parking garage in the downtown area wasn’t just painful for me but also for most drivers near my truck, with its camper shell, protruding tow hitch and conspicuous, California plates. I became that person who cluelessly goes the wrong way on a one-way street and accidentally cuts off cabbies. It still hurts to think about.
 A big sculpture and a tiny boy in Montréal. I had to convince this kid's dad, who didn't really speak English, to let me take his picture.
Once I was able to ditch my vehicle, I was taken with Montréal, however. I just wanted to sit on a bench and watch everyone around me, and I probably could have. I adore that about cities. At one point, while I was entering a metro station, I saw a young, hippy couple say their good-byes. The guy, with his guitar strapped to his back, held his lady for about 30 seconds, and then they kissed and parted. The intensity between them suggested the trip was going to be a long one. He walked down the stairs, and she walked toward the exit, and I kept watching her to see if she would turn to get one last glimpse of him. She did. I smiled and furrowed my brow in appreciation and light jealousy.
Even in cities, human connection is all around. I know that’s obvious, but it’s easy for me to forget when I’m in a new, urban setting. It’s hard to keep in mind that, of course, there is community everywhere.
I got a small but tasty bite of that the same night, when I visited Concordia University’s radio station, CJLO. I was there for an interview, mostly, and some sharing of music. Since I have no sense of direction, I ended up taking two metro rides and a bus and then walking about 15 blocks. When I arrived at the station, I was disheveled, sweaty and more relieved than I can say. When the music director and my interviewer, Omar, offered me a glass of water and half his cookie, I melted. It was tiny act, but it made me instantly enjoy him.
I love to watch people who love what they do, especially when they have real skills to boot. From what I saw, that’s Omar. During the interview, he was prepared and organized and seemed to really care. He somehow managed to be himself on the air while staying professional and precise. I am such a fan of good radio that I found myself taking mental notes for the next time I happen to be rooted in a place long enough to host my own radio show again. I’ve done that both in Colorado and Utah, though I know I still have a lot to learn.
 Omar Husain, CJLO's music director and the host of "Hooked on Sonics."
For my future reference, I think what made the interview so good was how easy it seemed. There was joking and self-deprecation on both sides, and I felt vital in a way I haven’t in a while. What a drug. Afterwards, Omar introduced me to the station crew and weighted me down with tons of CJLO schwag. I walked away from the school with postcards, buttons, a magazine, a T-shirt — and a bit of radio afterglow.
I had felt similarly after being on the air at CHUO in Ottawa and CHRW in London (thank you so much Sookie, Mike and Dave), but with this experience it finally hit me how much I want to do radio in my future. The discovery felt monumental. As I drove back from Montréal, I tucked that desire away in my mind with a promise that I will retrieve it, someday.
Now, it’s three days later, and instead of still feeling high, I’m scared. I don’t truly know what this fear means or why it has attached itself to me, but I’m going to try to work with it. I’d like to think that it is exactly what I need to keep me from staying forever in the faux French countryside. Being comfortable somewhere is a gift, but I feel I have to fight that so often in order to keep moving forward. Not yet, I keep telling myself. Not yet.
Maine is sounding more exciting by the moment.
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